Below are two examples of  stories that use a Heroine’s Journey arc.  The first, a Russian folk tale follows Maureen Murdock’s heroine’s journey arc; the second, a contemporary short story by Lorrie Moore follows Victoria Schmidt’s heroine’s journey.

The Tsaritsa Harpist

In this Russian folktale a king is captured by an “Accursed King” and the Queen sets out to rescue him. Knowing that the Accursed King will take her as his wife if she goes as herself, she disguises herself as a harpist  and sings so sweetly outside the Palace of the Accursed King that he invites her/him in and then promises her/him a favor.  She/he asks for one of his prisoners and when the favor is granted picks out her/his husband, the king, who does not recognize her. They return separately to the palace. The king berates the queen for not trying to help him until she reveals that she was the harpist and the king realizes that his wife is smarter than most of his subjects and perhaps himself and will from that day forward be co-ruler of the kingdom.

This plot of this tale  follows the heroine journey arc developed by Maureen Murdock.  For more information on this arc, click here.

1. Separation from the Feminine:

Queen’s  husband leaves for adventure and is captured. Queen must leave her role to rescue husband.

2. Identification with the Masculine and gathering of allies:

Queen dresses up as a man in order to avoid being raped or robbed on her upcoming journey.

3. Road of trials; meeting ogres and dragons:

Queen goes to rescue king and must sing and play harp to get inside Accursed King’s palace.

4. Finding the boon of Success:

Accursed King is enchanted and grants her a favor.  She asks for a prisoner and Accursed King gives her back her husband.  Her husband appreciates what singer has done to help him, but thinks Queen is a commoner.

5. Awakening to feelings of spiritual aridity and death:

On the way back, Queen realizes husband does not appreciate what she has done and does not realize it is she who has rescued him.

6. Initiation and descent to the goddess:

Queen and King separate, queen arrives back at castle before king.

7. Urgent yearning to reconnect with the feminine:

Queen sheds her disguise and becomes queen again.

8. Healing the mother/daughter split:

Husband curses his wife for not coming to his rescue.

9. Healing the wounded masculine:

The Queen plays the harp to show her husband that is was she who saved him.

10. Integration of the masculine and feminine:

The wife demonstrates to her husband that even though she’s a woman she’s strong enough to save him, and that rescue did not require force.  She assumes the role of queen again but now rules as an equal with her husband.

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“Which is More Than I Can Say About Some People”

by Lorrie Moore from  Birds of America 

Abby Mallon is dissatisfied with her marriage and stunned by a promotion at work that will require her to begin making speeches regularly.  With her promotion Abby is given vacation time. She uses this vacation time to go to Ireland to kiss the Blarney Stone which purportedly when kissed bestows the gift of gab.  When Abby’s mother decides to travel with her Abby must also confront her  feelings of inadequacy compared to her courageous mother and “kind, sweet” sister.

This short story arc most closely resembles the Heroine’s Journey  described by Victoria Schmidt. For more on this arc, click here.

 1. Illusion of the Perfect World (and identification of first coping strategies):

Protagonist, Abby Mallon, enjoys working alone at her job which is not particularly exciting but allows her space for creativity.

2. Betrayal or Realization (coping strategies fall apart):

Abby is  promoted out of the job she loves, and as a result of the promotion will have to begin public speaking, something she fears.  Amidst this crisis, she tries to leave her husband because she feels unsatisfied in their marriage.

3. Awakening and Preparing for the Journey:

Abby visits a poet and attempts to have an affair.

4. The Descent; Passing the Gates of Judgement (fear, guilt and shame):

Abby goes to Ireland with her mother for the sole purpose of kissing the Blarney Stone and being granted the “gift of gab.”  Abby feels embarrassed in the company of her mother, who she feels is much more courageous than she is.

5. The Eye of the Storm (small taste of success brings false security):

Feeling lonely in Ireland, Abby  thinks back to her former life and misses the comfort of her husband, feels that maybe it is not as bad as she thought it was.

6. Death — All is Lost (things get worse, no hope, acceptance of defeat, surrender):

Abby’s mother goes to cross a bridge that Abby is too scared to cross herself —  Abby feels despair at her cowardice and loneliness.

7. Support (someone including spirit gives her a hand, heroine accepts  female aspect of support):

Abby and her mother arrive at the Blarney Stone — the point of the journey.  Abby is literally supported by a worker so she can lean back and kiss the stone.

8. Rebirth — the Moment of Truth (heroine has found strength and resolve; sees world differently, courage, brains and heart, faces fear with compassion):

After Abby has kissed the stone, she sees her mother is terrified.  Her mother attempts and fails to kiss the stone and Abby leads her back down the stairway.  Abby realizes she is brave in her own way.

9. Return to the world  and now sees the world for what it is; through her experience others are changed; reward is spiritual and internal, has new coping strategies.

Abby and her mother go into a pub and Abby makes a stilted, slightly drunk speech to the small bar crowd.  Abby and her mother feel closer than they were before and Abby realizes her strengths (including her own kind of bravery), whether the Blarney Stone has granted her the gift of gab or not.  Abby reconnects with her mother and finds that this  is what she has been seeking,  not the “gift of gab.”